The moves you’ll play
- 1.e4e5
- 2.Nf3Nc6
- 3.d4exd4
- 4.Nxd4Bb4+
- 5.c3Bc5
- 6.Be3Bb6
- 7.Nf5Qf6
- 8.Nd2
The line continues — master it move by move in the app.
Your coach, move by move
- 1. e4We open the center.
- 2. Nf3We develop and attack e5.
- 3. d4We break in the center.
- +5 more coached moves waiting in the app
Key ideas behind this line
- White trades on d4 to open the position fast, develop with tempo, and reach a clear, low-theory middlegame with a slight space edge.
- In the main line 4...Nf6 5.Nxc6 bxc6 6.e5, the e5 pawn and pressure on Black's doubled c-pawns are long-term trumps; Black counters with the ...Ba6 pin against c4 and a timely ...d6 break.
- Against the Classical 4...Bc5, White retreats 5.Nb3 to deny the bishop a target, then plays Nc3, Qe2 and Be3, often castling long for a kingside pawn storm; Black aims for ...d6, ...Nf6 and rapid development.
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More lines in this opening
Scotch Game: Schmidt Variation, Main Line (4...Nf6 5.Nxc6)
The critical main line: White grabs space with e5, forces the queens to face off, then hits Black's centralized knight with c4 to expand on the queenside.
Scotch Game: Mieses Variation, Main Line (8.c4 Ba6 9.b3)
The deepest main-line tabiya: Black pins with ...Ba6 and fianchettoes, while White supports c4 with b3 and builds a kingside pawn storm with f4.
Scotch: Mieses, 8...Nb6 Sidetline
Black retreats the knight to b6 instead of pinning; White develops naturally and keeps the bind on the position with the e5-pawn and harmonious piece play.
Scotch: Classical Variation, Main Line (4...Bc5 5.Nxc6)
Against the Classical 4...Bc5, White trades on c6 and chases the bishop with Na4, aiming to neutralize Black's active dark-squared bishop and reach a comfortable structure.
Scotch: Classical, 5...Qf6 6.Qf3 Sideline
A solid simplifying option: White offers a queen trade with Qf3, accepting doubled f-pawns in exchange for the open g-file and a sturdy endgame with the better structure.
Scotch: Classical, Intermezzo 5...Qf6 6.Qd2 Bxd4 7.Qxd4
When Black retreats the bishop to b6 to preserve it, White again plays Na4 to challenge and trade it, securing the bishop pair and a small but lasting structural edge.
Scotch: Steinitz Variation (4...Qh4)
Against the aggressive 4...Qh4, White calmly develops; Black grabs e4 but his king gets stuck in the center and White obtains a big lead in development and lasting initiative.
Scotch: Paulsen / Blackburne (4...Nf6 5.Nc6 dxc6)
If Black recaptures with the d-pawn, White trades queens; Black loses castling rights and White enjoys a pleasant, risk-free endgame edge with smooth development.
Scotch Gambit: Main Line (4.Bc4 Nf6 5.e5)
The Scotch Gambit: instead of recapturing, White develops the bishop to c4 and pushes e5, generating an active attacking setup against Black's pieces in the center.
Scotch Gambit: Max Lange Attack
The famous Max Lange Attack: White sacrifices to open the e-file with Re1+, generating a fierce attack on Black's king before he can complete development.
Scotch Gambit: Dubois–Reti / 5.Ng5 Line
A sharp gambit try: White lunges with Ng5 and Qh5 to pressure f7; Black must defend precisely while White keeps the initiative and pieces aimed at the king.
Scotch Gambit: London Defence (4...Bc5 5.c3)
White supports the center with c3 and meets the central tension head-on; after castling, White has a strong center and rapid development for the pawn in a Giuoco-style attack.
Scotch: Classical, Potter Variation (5.Be3)
The Potter approach against the Classical: White defends the d4-knight with Be3 and props the center with c3, aiming for a solid space advantage and harmonious development.
Scotch: Mieses, 8...Ba6 9.b3 O-O-O Line
Black castles long and presses the pin on a6; White completes development with g3 and Bg2, breaking the pin and steering toward a rich middlegame with mutual chances but a solid White structure.
Scotch: Ghulam-Kassim / 4.Bc4 transposing to Two Knights
A sharp Scotch Gambit line where White castles and pressures the center; after the tactical sequence White regains material with active piece play and an open e-file for attack.