The moves you’ll play
- 1.e4c5
- 2.c3d5
- 3.exd5Qxd5
- 4.d4e6
- 5.Nf3Nf6
- 6.Be2Nc6
- 7.O-Ocxd4
- 8.cxd4Be7
The line continues — master it move by move in the app.
Your coach, move by move
- 1. e4We claim the center and open lines.
- 2. c3We prepare the d4 advance.
- 3. exd5We capture to draw the queen out for later harassment.
- +5 more coached moves waiting in the app
Key ideas behind this line
- White's core plan is c3 followed by d4 to build a strong pawn center; after exchanges, embrace the isolated queen's pawn (IQP) for active pieces, open c- and e-files, and an e5 outpost.
- Against 2...Nf6 3.e5 Nd5, use the e5 pawn as a space-gaining wedge, harass the d5-knight with Bc4, and aim for a kingside initiative or a timely d4-d5 break.
- Against 2...d5 3.exd5 Qxd5, develop with tempo: Nf3, Be2 and Nc3 hit the centralized queen, giving White a lead in development and pressure on the half-open e-file.
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More lines in this opening
Main Line: 2...d5, Classical (4...Nf6 with ...Bg4/...Bh5)
The classical main line: White accepts a future isolated queen's pawn in return for easy development, the bishop-pair chance, and active pieces. Typical follow-up is Be3, Nc3 (hitting the queen), and rooks to c1/d1/e1 with pressure on Black's king.
2...d5: Classical, 7...Bxf3 (Bishop Pair)
Black trades on f3 to ease the cramp; White happily takes the bishop pair and points the f3-bishop down the long diagonal at b7, pressing with the isolated d-pawn.
2...d5: 4...Nc6, Isolated Queen's Pawn Main
A direct isolated-queen's-pawn battle: White's pieces flow out naturally, the c-file opens, and Nc3 gains a tempo on the queen to fuel a kingside initiative.
2...d5: 4...g6 Fianchetto
Against Black's fianchetto White calmly completes development, prevents ...Bg4 with h3, and keeps a mobile center, planning Nc3 to hit the queen and grab the initiative.
2...Nf6 Main Line: 7.Bc4 Nb6 8.Bb5
The principal line against 2...Nf6: White builds the big d4-e5 center, develops with tempo against the d5-knight, and after ...dxe5 will play Nxe5, enjoying lasting space and pressure on c6/f7.
2...Nf6: 7...e6, Knight Holds d5
Black props up the d5-knight with ...e6; White castles and keeps the spatial bind, later expanding with Nc3 and Re1 and pressing the cramped position and the d6-pawn.
2...Nf6: 5...e6 System
Black's ...e6 system stays solid; White retreats the attacked bishop to b3, keeps the d4-e5 center, and plays for the typical space advantage and kingside chances.
2...Nf6: ...g6 Fianchetto vs the Big Centre
Black fianchettos against the big center; White pins the c6-knight with Bb5, keeps the e5-wedge, and aims to restrain Black's freeing ...f6 and ...d6 breaks.
2...e6: Advance Variation (French Structure)
With ...e6 Black invites a French Advance; White takes space with e5, develops with Nf3/Be2/Nc3, and plays on the kingside while soundly defending the d4-base.
2...d6: Big-Centre Transposition
Black's modest ...d6 concedes White an ideal e4-d4 center; White recaptures with the c-pawn, develops harmoniously, and enjoys a Maroczy-like space advantage.
2...g6: Modern, ...d5/e5 Advance
Against the Modern move order White grabs the center, plays e5 to blunt the g7-bishop on the long diagonal, and nurses a comfortable spatial edge with simple development.
2...Nc6: IQP via the ...Nc6 Move Order
Reaching an isolated queen's pawn via the ...Nc6 order; because the c-pawn is already traded, White develops Nc3 with tempo on the queen and points the d3-bishop and IQP energy at Black's king.
2...b6: Queen's Fianchetto
Black fianchettos on b7 to pressure e4; White shores up the center with Bd3 and Qe2, completes development, and keeps a sound space advantage.
2...e5: Central Counter
Black's ...e5 stakes the center but weakens d5; White develops naturally, breaks with d4, and emerges with a strong central knight and the better structure.
2...d5 3...Nf6: Knight Recapture
Black declines the queen recapture and takes on d5 with the knight; White builds the center, develops with tempo, and steers into a favorable isolated-pawn middlegame with pressure on f7.